A Wonderful Cultural Experience in Senegal! – by Maeva Pimo

One of the most fascinating aspects of research is the opportunity to conduct fieldwork—getting out of the classroom and into the field to engage directly with the realities at hand. It's about setting aside the books, notebooks, and even my usual scholarly mindset to truly "live" heritage in a different way. This is the experience I took away from my time in Senegal.

This blog’s author Maeva Dolores Pimo at the Monument de la Renaissance africaine in Dakar.

Engagement and Collaboration Outside Museums

One of the most enriching parts of my journey was the chance to meet artists and craftspeople, allowing me to connect with their daily practices. Stepping away from the "technical-scientific" terms I’m used to, I was able to experience the tools and methods used in the conservation and restoration of objects—tools that might seem simple in their daily use but are invaluable in preserving culture. This hands-on experience allowed me to learn in fields like textiles, pottery, and object making, expanding my understanding of heritage beyond museum walls.

Explanation of the different fabrics and materials used for dyeing – Dyeing workshop at Aida Fané's house.

Yara Yara salt used to preserve fabric at Atelier TIESS Saint-Louis.

Wood used to clamp fabric and create dye patterns at Aida Fané's dyeing workshop in Saint-Louis.

Weaving machine at Atelier TIESS in Saint-Louis.

Overview of the various design elements reproduced on the fabric – Atelier TIESS, Saint-Louis.

The Sélébé Yonn Gallery: Reviving Dying Skills

The Sélébé Yonn Gallery was a powerful continuation of this exploration. The gallery highlighted the work of artists and craftspeople whose skills are sadly dying out due to a lack of transmission to younger generations. It’s a problem that needs attention, and it’s vital that we find solutions to ensure these practices are not lost. Encouraging museums to collaborate with artists and artisans in order to perpetuate these skills and produce works that reflect life, history, and art in deeper ways is crucial for the future of heritage preservation.

Changing the Narrative in African Museums

Another striking observation during my visit was the shift in the discourse at some museums in Senegal. There's a noticeable focus on social and community issues, which aims to attract a broader audience. At the Monument de la Renaissance africaine, for example, the exhibition explored the various African communities and how life in society is shaped by the roles played by individuals. This departure from the traditional, repetitive narratives on slavery brings a fresh perspective to museums, one that highlights the complexity of African history and life beyond the familiar topics.

This change in narrative is essential for keeping museums relevant, especially as we seek to engage with younger generations who are increasingly distracted by digital media. It’s a necessary step if we want to attract audiences today, who are looking for new, innovative ways to connect with history and culture.

The Vienna team at the Monument de la Renaissance africaine in Dakar.

Visiting the exhibition at the Dakar African Renaissance Monument.

rtwork by Melinda Fourn on display at Selebe Yonn Gallery, examining how technology influences art.

A visit to the exhibition at the Dakar Renaissance Monument.

Honoring Women: A Powerful Message at the Museum of Black Civilizations

One of the most inspiring aspects of my experience was at the Museum of Black Civilizations, where a special exhibit was dedicated to honoring women. The pavilion focused on African women leaders in politics, showcasing their achievements with vibrant colors and dynamic displays. This exhibit made it clear that the museum is not just about the past—it’s a continuum, where the past influences the present and shapes the future.

In Africa, we’ve seen an increasing role for women in political life. Highlighting this change within the museum is significant because it encourages young girls to recognize that they, too, have a role to play in shaping the future of their countries—not just in the traditional confines of the home, but in the public and political spheres as well.

At the Musée des Civilisations noires in Dakar.

A Tribute to Women Leaders

I was especially moved by the fact that the conference that brought us to Senegal was organized in honor of a remarkable woman, Fatima Fall, who defied the odds at a time when women weren’t even allowed an education. Her story is one of courage and resilience, and she rose to become one of the best in her field. It is women like her who pave the way for future generations, and it was an honor to learn from her legacy.

A special thank you to our incredible leaders, Noémie Etienne and Fatima Fall, whose leadership continues to inspire.

Fatima Fall and Noémie Etienne at the conference “Situated Conservations” in Saint-Louis.